AudioTA-1VP TASCAM Autotune
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Auto-Tune real-time pitch correction
EVO voice processing technology for improved tracking and correction capabilities
Real-time pitch correction for voices (or solo instruments) without distortion or noise, ensuring full respect for the expressive nuances of the original performance
Microphone Modeling
Give your voice recordings the characteristics of high-end studio microphones
Adjust the proximity effect associated with the microphone distance
Analog Lamp Modeling
Give your vocal recordings the warmth of a classic tube preamp
Adjustable knee compressor
Control the dynamics of your signal with a high-end dynamics compressor
Adjustable Threshold, Ratio, Attack and Decay
Continuously adjustable knee value (not Hard/Soft)
Dynamics expander/noise gate
This noise gate/dynamic expander with threshold and ratio settings allows you to gradually eliminate background and air noise
Works independently of the compressor
Variable frequency de-esser
Allows you to better control sibilance on vocals to improve your performance
Threshold, Ratio, Attack Time and Decay Time settings, plus a high-pass filter with adjustable frequency
Flexible 2-band parametric equalizer
Fine-tune the sound of your voice with two independent equalization bands
Select the type of EQ/filter you want: high-pass or low-pass with 6 or 12 dB/octave slope, low or high shelving with adjustable slope, bandpass, notch, or true parametric EQ
Automatic track doubling, mono or stereo
Automatically mixes a dubbed track to the main outputs, or assigns it to a separate output for further processing and mixing
Programmable parameters
Each parameter can be saved as a preset for instant recall
Factory presets, suitable for a wide variety of vocal styles
Complete collection of factory presets included, suitable for a wide variety of vocal styles
Real-time MIDI control
Control any adjustable parameter on a module via MIDI messages Continuous controllers for variable real-time automation
Really easy to use
Quickly find the desired parameter
Virtually all major functions are accessible at the touch of a button
EVO voice processing technology for improved tracking and correction capabilities
Real-time pitch correction for voices (or solo instruments) without distortion or noise, ensuring full respect for the expressive nuances of the original performance
Microphone Modeling
Give your voice recordings the characteristics of high-end studio microphones
Adjust the proximity effect associated with the microphone distance
Analog Lamp Modeling
Give your vocal recordings the warmth of a classic tube preamp
Adjustable knee compressor
Control the dynamics of your signal with a high-end dynamics compressor
Adjustable Threshold, Ratio, Attack and Decay
Continuously adjustable knee value (not Hard/Soft)
Dynamics expander/noise gate
This noise gate/dynamic expander with threshold and ratio settings allows you to gradually eliminate background and air noise
Works independently of the compressor
Variable frequency de-esser
Allows you to better control sibilance on vocals to improve your performance
Threshold, Ratio, Attack Time and Decay Time settings, plus a high-pass filter with adjustable frequency
Flexible 2-band parametric equalizer
Fine-tune the sound of your voice with two independent equalization bands
Select the type of EQ/filter you want: high-pass or low-pass with 6 or 12 dB/octave slope, low or high shelving with adjustable slope, bandpass, notch, or true parametric EQ
Automatic track doubling, mono or stereo
Automatically mixes a dubbed track to the main outputs, or assigns it to a separate output for further processing and mixing
Programmable parameters
Each parameter can be saved as a preset for instant recall
Factory presets, suitable for a wide variety of vocal styles
Complete collection of factory presets included, suitable for a wide variety of vocal styles
Real-time MIDI control
Control any adjustable parameter on a module via MIDI messages Continuous controllers for variable real-time automation
Really easy to use
Quickly find the desired parameter
Virtually all major functions are accessible at the touch of a button
Processing modules
AUTO-TUNE Scales: chromatic and 24 diatonic, all customizable by the user
Pitch correction speed (Retune speed)
Pitch detection sensitivity
MIC MODELER
Emulated microphones, specific references Shure SM58, Shure SM57, Shure Beta 58a, Shure KSM 32, Audio Technica 3035, Audio Technica ATM31, Audio Technica ATM41a, Audio Technica 4050, Rode NT1, Rode NT2, Rode NT3, CAD M177, CAD E200, CAD E350
Emulated microphones, generic models Vocal dynamics, studio dynamics, HF, small-diaphragm static, large-diaphragm static
Emulated microphones Vocal dynamics, studio dynamics, HF, small diaphragm static 1, small diaphragm static 2, large diaphragm static 1, large diaphragm static 2, large diaphragm static 3, bass drum mic, snare drum mic, cymbal mic, telephone
Lamp saturation intensity (Drive) 0 to 12 dB
COMPRESSOR PARAMETERS
Threshold -36 dB to 0 dB
Ratio 1:1 to 99:1
Attack 1 to 200 ms
Release 1 to 200 ms
Knee Continuously adjustable
NOISE GATE PARAMETERS
Threshold -96 dB to 0 dB
Ratio 1:1 to 1:99
DE-ESSER PARAMETERS
Threshold -60 dB to 0 dB
Ratio 1:1 to 99:1
Attack 1 to 200 ms
Release 20 to 2550 ms
High pass filter cutoff frequency 2971 Hz to 20 kHz
EQUALIZER (2 independent bands) 6 dB/octave low-pass, 6 dB/octave high-pass, 12 dB/octave low-pass, 12 dB/octave high-pass, Bandpass, Notch, Low Shelve (adjustable slope), High Shelve (adjustable slope), True Parametric, Dual Tracking, Mono or Stereo adjustable mix
Analog audio inputs and outputs
Mic input (balanced) on XLR-3-31 connector (1: ground, 2: hot spot, 3: cold spot)
Input impedance 2.2 kΩ
Nominal input level (with PAD) -48.3 dBu (or 0.003 V rms) to -16.8 dBu (or 0.112 V rms)
Nominal input level -23.3 dBu (i.e. 0.053 V rms) to +8.2 dBu (i.e. 1.992 V rms)
Maximum input level +8.2 dBu (1.992 V rms)
Line input (balanced) on 6.35 mm TRS connector
(tip: hot spot, ring: cold spot, sleeve: ground)
Input impedance 10 kΩ
Nominal input level -7.5 dBu (i.e. 0.327 V rms) to +24 dBu (i.e. 12.283 V rms)
Maximum input level +24 dBu (i.e. 12.283 V rms)
Line output, Main (balanced) on 6.35 mm TRS connector
(tip: hot spot, ring: cold spot, sleeve: ground)
Output impedance 100 Ω
Nominal output level +4 dBu (i.e. 1.228 V rms)
Maximum output level +20 dBu (i.e. 7.75 V eff)
Double Track' line output (balanced) on 6.35 mm TRS connector
(tip: hot spot, ring: cold spot, sleeve: ground)
Output impedance 100 Ω
Nominal output level +4 dBu (i.e. 1.228 V eff)
Maximum output level +20 dBu (i.e. 7.75 V rms)
Digital audio output
Digital output (coaxial) on RCA connector
IEC 60958-3 (S/PDIF) format
Output impedance 75 Ω
Output voltage 0.5 V peak/peak
Other inputs/outputs
MIDI input 5-pin DIN connector
Standard MIDI format
MIDI output 5-pin DIN connector
Standard MIDI format
Footswitch input on 6.35 mm TS type jack
Audio characteristics
Analog input trim 0 dB to +30 dB
Frequency response 20 Hz to 20 kHz ±0.5 dB (mic input to line output)
20 Hz to 20 kHz ±0.2 dB (line in to line out)
S/N ratio (mic input) ≥ 98 dB (mic or line input to line output)
Total harmonic distortion rate ≤ 0.01% (mic input to line output)
≤ 0.008% (line in to line out)
Dynamic range ≥ 120 dB (line output)
Power supply and miscellaneous
Power supply TASCAM PS-1225L AC adapter (included)
Power consumption 4 W
Overall dimensions (WxHxD) 483 mm x 44 mm x 128 mm
Weight 2 kg
Operating temperature 5 to 35 °C
LCD display, 2 x 20 characters
Indicators Input level (INPUT, on 5 LEDs)
Output level (OUTPUT, on 5 LEDs)
Pitch correction (Tuning Correction, on 4 LEDs)
Gain reduction on compressor (on 5 LEDs)
Gain reduction on de-esser (on 5 LEDs)
AUTO-TUNE Scales: chromatic and 24 diatonic, all customizable by the user
Pitch correction speed (Retune speed)
Pitch detection sensitivity
MIC MODELER
Emulated microphones, specific references Shure SM58, Shure SM57, Shure Beta 58a, Shure KSM 32, Audio Technica 3035, Audio Technica ATM31, Audio Technica ATM41a, Audio Technica 4050, Rode NT1, Rode NT2, Rode NT3, CAD M177, CAD E200, CAD E350
Emulated microphones, generic models Vocal dynamics, studio dynamics, HF, small-diaphragm static, large-diaphragm static
Emulated microphones Vocal dynamics, studio dynamics, HF, small diaphragm static 1, small diaphragm static 2, large diaphragm static 1, large diaphragm static 2, large diaphragm static 3, bass drum mic, snare drum mic, cymbal mic, telephone
Lamp saturation intensity (Drive) 0 to 12 dB
COMPRESSOR PARAMETERS
Threshold -36 dB to 0 dB
Ratio 1:1 to 99:1
Attack 1 to 200 ms
Release 1 to 200 ms
Knee Continuously adjustable
NOISE GATE PARAMETERS
Threshold -96 dB to 0 dB
Ratio 1:1 to 1:99
DE-ESSER PARAMETERS
Threshold -60 dB to 0 dB
Ratio 1:1 to 99:1
Attack 1 to 200 ms
Release 20 to 2550 ms
High pass filter cutoff frequency 2971 Hz to 20 kHz
EQUALIZER (2 independent bands) 6 dB/octave low-pass, 6 dB/octave high-pass, 12 dB/octave low-pass, 12 dB/octave high-pass, Bandpass, Notch, Low Shelve (adjustable slope), High Shelve (adjustable slope), True Parametric, Dual Tracking, Mono or Stereo adjustable mix
Analog audio inputs and outputs
Mic input (balanced) on XLR-3-31 connector (1: ground, 2: hot spot, 3: cold spot)
Input impedance 2.2 kΩ
Nominal input level (with PAD) -48.3 dBu (or 0.003 V rms) to -16.8 dBu (or 0.112 V rms)
Nominal input level -23.3 dBu (i.e. 0.053 V rms) to +8.2 dBu (i.e. 1.992 V rms)
Maximum input level +8.2 dBu (1.992 V rms)
Line input (balanced) on 6.35 mm TRS connector
(tip: hot spot, ring: cold spot, sleeve: ground)
Input impedance 10 kΩ
Nominal input level -7.5 dBu (i.e. 0.327 V rms) to +24 dBu (i.e. 12.283 V rms)
Maximum input level +24 dBu (i.e. 12.283 V rms)
Line output, Main (balanced) on 6.35 mm TRS connector
(tip: hot spot, ring: cold spot, sleeve: ground)
Output impedance 100 Ω
Nominal output level +4 dBu (i.e. 1.228 V rms)
Maximum output level +20 dBu (i.e. 7.75 V eff)
Double Track' line output (balanced) on 6.35 mm TRS connector
(tip: hot spot, ring: cold spot, sleeve: ground)
Output impedance 100 Ω
Nominal output level +4 dBu (i.e. 1.228 V eff)
Maximum output level +20 dBu (i.e. 7.75 V rms)
Digital audio output
Digital output (coaxial) on RCA connector
IEC 60958-3 (S/PDIF) format
Output impedance 75 Ω
Output voltage 0.5 V peak/peak
Other inputs/outputs
MIDI input 5-pin DIN connector
Standard MIDI format
MIDI output 5-pin DIN connector
Standard MIDI format
Footswitch input on 6.35 mm TS type jack
Audio characteristics
Analog input trim 0 dB to +30 dB
Frequency response 20 Hz to 20 kHz ±0.5 dB (mic input to line output)
20 Hz to 20 kHz ±0.2 dB (line in to line out)
S/N ratio (mic input) ≥ 98 dB (mic or line input to line output)
Total harmonic distortion rate ≤ 0.01% (mic input to line output)
≤ 0.008% (line in to line out)
Dynamic range ≥ 120 dB (line output)
Power supply and miscellaneous
Power supply TASCAM PS-1225L AC adapter (included)
Power consumption 4 W
Overall dimensions (WxHxD) 483 mm x 44 mm x 128 mm
Weight 2 kg
Operating temperature 5 to 35 °C
LCD display, 2 x 20 characters
Indicators Input level (INPUT, on 5 LEDs)
Output level (OUTPUT, on 5 LEDs)
Pitch correction (Tuning Correction, on 4 LEDs)
Gain reduction on compressor (on 5 LEDs)
Gain reduction on de-esser (on 5 LEDs)